Popular legend credits a 13th-century Sufi poet with inventing the sitar. Modern scholars think that story is simply wrong.
Timeline
- 1739 CE: The sitar is first documented by name, in the Muraqqa-i-Dehli, written during Mughal emperor Muhammad Shah’s reign.
- 19th century CE: The instrument grows larger, gains sympathetic strings, and becomes the lead instrument of khyal, Hindustani music’s dominant vocal style.
- 1965 CE: George Harrison plays sitar on the Beatles’ “Norwegian Wood,” then begins studying the instrument under Ravi Shankar.
- 1967–1969 CE: Ravi Shankar’s performances at the Monterey Pop Festival and Woodstock introduce the sitar to a mass Western audience.
Must Know
- The sitar is a plucked string instrument, central to Hindustani classical music, the North Indian tradition.
- Its name comes from the Persian sehtar, meaning “three strings,” even though a modern sitar carries far more strings than that.
- It has a long hollow neck (dandi) and a gourd resonator (tumba). Movable metal frets, called parda, allow fine, microtonal pitch adjustments.
- Popular legend credits the 13th-century Sufi poet Amir Khusrau with inventing the sitar, but modern scholarship considers this attribution discredited.
- Pandit Ravi Shankar is the sitar player most responsible for introducing Indian classical music to global Western audiences.
Good to Know
- Modern scholars instead credit Khusrau Khan, an 18th-century Mughal-era musician, with developing the sitar. He adapted the Persian setar, blending it with the Indian veena tradition.
- Below the main strings run 9 to 12 sympathetic strings (tarab), added in the 19th century. These vibrate on their own, giving the sitar its distinctive resonant sound.
- Two major schools, or gharanas, shaped the modern sitar. The Imdadkhani gharana perfected gayaki ang, a vocal-style of playing, later refined by Ustad Vilayat Khan.
- The Senia-Maihar gharana, popularised by Ravi Shankar, favours a wider range of instrumental technique, drawing on dhrupad and tappa styles too.
- George Harrison’s sitar lessons under Ravi Shankar, beginning in 1965, triggered a wider craze for Indian-influenced sounds among Western rock and pop musicians.
- Ravi Shankar went on to win five Grammy Awards and, in 1999, India’s highest civilian honour, the Bharat Ratna.
Test Yourself
Great to Know
- The Amir Khusrau legend is a useful case study in how folk attribution spreads. A 19th-century writer’s ambiguous statement likely conflated the famous 13th-century poet with an unrelated 18th-century musician who shared part of his name.
- The sitar’s movable frets and sympathetic strings aren’t just decorative. Together, they let the instrument bend and sustain notes in a way that closely mimics the human voice. That’s exactly what gayaki ang playing exploits.
- Harrison and Shankar’s collaboration ran in both directions. Harrison brought the sitar to a mass pop audience. Shankar used that platform to insist Indian classical music be taken seriously on its own terms, not just as an exotic sound effect.
- The sitar sits within a wider Hindustani tradition of ragas and gharanas, alongside a distinct Carnatic counterpart in South India. See ArtnCulture0005 — Indian Music: Hindustani and Carnatic Traditions for that fuller picture.
- For the broader Hindustani classical tradition the sitar belongs to, see ArtnCulture0103 — Hindustani Classical Music.
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