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Naushad

He put a 100-piece orchestra behind a Hindi film song, first in the country to do it. He composed for 65 years.

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Naushad
He brought Indian classical music into the heart of Hindi cinema.
100
Musicians in India’s first 100-piece film orchestra, for “Aan” (1952)
1940
First major credit, “Nayi Duniya” (1942), after debut film “Prem Nagar”
1952
“Baiju Bawra” wins the first-ever Filmfare Best Music Director Award
1957
“Mother India” becomes the first Indian film nominated for an Oscar
1981
A rare classical crossover: for “Mughal-e-Azam” (1960), Naushad brought classical maestro Bade Ghulam Ali Khan to sing in a Hindi film — a crossover that almost never happened in that era.
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📑 Contents

Must Know

  • Naushad Ali was born on 25 December 1919, in Lucknow.
  • He trained in Hindustani music under Ustad Ghurbat Ali, Ustad Yusuf Ali, and Ustad Babban Saheb.
  • He moved to Mumbai in 1937, to work in the film industry.
  • His first major credit came with “Nayi Duniya” (1942).
  • “Baiju Bawra” (1952) won the first-ever Filmfare Best Music Director Award, in 1954.
  • For “Aan” (1952), he used a 100-piece orchestra — the first of its size in Indian cinema.
  • “Mother India” (1957) became the first Indian film nominated for an Academy Award.
  • He received the Dadasaheb Phalke Award in 1981.
  • He died on 5 May 2006, in Mumbai, aged 86.

Good to Know

  • His career ran from 1940 to 2005. Across those years, he composed music for 65 films in total.
  • His films included 26 Silver Jubilee hits, which ran for 25 weeks or more.
  • Mohammed Rafi sang many of Naushad’s most famous compositions.
  • He often worked with lyricist Shakeel Badayuni, across dozens of films.
  • He received the Padma Bhushan in 1992, alongside the Sangeet Natak Akademi Award.
  • He is remembered by the title “Moseeqar-e-Azam,” meaning “The Great Musician.”

Test Yourself

1. For which 1952 film did Naushad first use a 100-piece orchestra, a first for Indian cinema?

 

Great to Know

  • For “Mughal-e-Azam” (1960), Naushad brought classical maestro Bade Ghulam Ali Khan to sing for a Hindi film. Such a crossover was rare for a classical artist of that stature, at that time.
  • Don’t confuse Naushad with the singers he worked with. Naushad was the music director and composer. Mohammed Rafi and other artists were the playback singers who performed his tunes.
  • His most acclaimed film, “Baiju Bawra” (1952), leaned on real classical vocalists, Amir Khan and D.V. Paluskar, to anchor its music.

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