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Comparing Ray, Gopalakrishnan, and Nair together shows how many separate paths by which Indian-subject cinema reached global audiences?

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1. Comparing Ray, Gopalakrishnan, and Nair together shows how many separate paths by which Indian-subject cinema reached global audiences?

Three — India-based festival prestige, a second regional parallel tradition, and a diaspora-based co-production model

Just one single identical path shared by all three filmmakers

None — all three achieved recognition only within India itself

Four, including a state-controlled national cinema model unique to each filmmaker

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