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Art and Culture Mixed Practice — MCQs with Answers (Set 11)

A mixed set of 25 Art and Culture MCQs on smaller topics that have no set of their own. Each answer links to its topic Article.

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Q1. The Telangana Government’s culture note traces the origin of the Nirmal craft to which era?

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Answer: A

The note says the origin of the Nirmal craft is traced back to the Kakatiya era. It describes the Kakatiyas as rulers between the 11th and 14th centuries, with Warangal as their capital.

Related topics: Nirmal Painting: Telangana’s Gold-Flecked Wood Art

Q2. Which epics supply themes for the Nirmal paintings described in the Telangana Government’s culture note?

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Answer: A

The note says Nirmal oil paintings use natural dyes to show themes from the Ramayana and the Mahabharata. It also names floral designs, Ajanta and Ellora frescoes and Mughal miniatures as motifs.

Related topics: Nirmal Painting: Telangana’s Gold-Flecked Wood Art

Q3. Which community of craftspeople is linked with Nirmal painting?

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Answer: A

The Handicrafts Ministry page names the Naqash community as the artisans of the Nirmal art. Other accounts give the same name for the artisans.

Related topics: Nirmal Painting: Telangana’s Gold-Flecked Wood Art

Q4. Nirmal toys are traditionally carved from which local softwood?

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Answer: B

Nirmal toys were first made from poniki, also called white sander, a local softwood. This differs from Nirmal paintings, which the Handicrafts Ministry page describes on teak boards.

Related topics: Nirmal Painting: Telangana’s Gold-Flecked Wood Art

Q5. According to the National Gallery of Modern Art, which six artists founded the Progressive Artists’ Group in Bombay?

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Answer: A

NGMA lists F. N. Souza, S. H. Raza, M. F. Husain, K. H. Ara, H. A. Gade, and S. K. Bakre as founding members. Tate counts four founders; the others joined soon after.

Related topics: The Progressive Artists’ Group: S.H. Raza, F.N. Souza, and Beyond Husain

Q6. Arrange the following languages in the order in which they got classical language status, earliest first:
1. Sanskrit
2. Odia
3. Tamil
4. Malayalam

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Answer: C

Tamil came first (12 October 2004), then Sanskrit (25 November 2005), Malayalam (8 August 2013) and Odia (1 March 2014). Options starting with Sanskrit are wrong because Tamil was the first classical language. Odia came after Malayalam, not before.

Related topics: Classical Languages of India

Q7. Consider the following statements about the classical language criteria revised in 2024:
1. The early texts or recorded history must be 1,500–2,000 years old.
2. Knowledge texts, especially prose, and inscriptional evidence are considered.
3. The literary tradition must be original and not borrowed from another speech community.
Which of the statements given above is/are correct?

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Answer: B

The 2024 rules kept the 1,500–2,000 year age bar and added knowledge texts, prose and inscriptional evidence. They dropped the old test of an original, unborrowed literary tradition. So statement 3 is wrong, and only 1 and 2 are correct.

Related topics: Classical Languages of India

Q8. Match the classical language with the host of its new Centre of Excellence (approved October 2026):
A. Pali — 1. Tezpur University
B. Prakrit — 2. Deccan College, Pune
C. Assamese — 3. Central University of Odisha
D. Marathi — 4. Central University of Gujarat

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Answer: D

Pali goes to the Central University of Odisha and Prakrit to the Central University of Gujarat. Assamese goes to Tezpur University, and Marathi to Deccan College, Pune. A common slip is swapping the Pali and Prakrit hosts.

Related topics: Classical Languages of India

Q9. Which dance form of India has been inscribed into UNESCO’s Representative List of Intangible Cultural Heritage of Humanity?

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Answer: B

UNESCO inscribed Garba of Gujarat onto its Representative List of Intangible Cultural Heritage in December 2023, India’s 15th entry on this list. Garba is a devotional dance performed during Navaratri, honoring the goddess Shakti, danced in a counter-clockwise circle around a lamp-lit pot. This is why Garba is the correct answer.

Related topics: India’s Art & Cultural Heritage: Safeguarding Our Living Legacy

Q10. Which one of the following is the theme of the International Day for Monuments and Sites (World Heritage Day) 2017?

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Answer: B

ICOMOS chose this theme to mark the UN International Year of Sustainable Tourism for Development in 2017. It highlighted the growing link between conserving cultural heritage sites and developing sustainable tourism around them. The day is observed every year on 18 April, organized by ICOMOS with UNESCO.

Related topics: India’s Art & Cultural Heritage: Safeguarding Our Living Legacy

Q11. Who is the architect of the Ram Temple constructed at Ayodhya?

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Answer: B

Chandrakant Sompura, from a temple-building family that also designed the Somnath Temple in Gujarat, is the chief architect of the Ram Temple at Ayodhya.

Related topics: The Ram Mandir, Ayodhya

Q12. Historians divide the Indus Valley Civilisation history into Early Harappan, Mature Harappan, and which other phase?

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Answer: C

Historians divide the civilisation into three broad phases: Early Harappan, Mature Harappan, and Late Harappan, tracking its rise, peak, and gradual decline.

Related topics: The Indus Valley’s Three Phases and Its Agricultural Base

Q13. Which river system’s drying up is most often cited by historians as a major environmental factor in the Indus Valley Civilisation’s decline?

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Answer: B

Many historians point to the drying up of the Saraswati (Ghaggar-Hakra) river system as a major factor, since several important Indus settlements sat along its course and would have lost a critical water source as it weakened.

Related topics: The Saraswati River: The Rigveda’s Lost River

Q14. Bricks across the Indus Valley Civilization followed a remarkably consistent ratio of length to width to height across widely separated sites. What was that ratio?

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Answer: A

Indus Valley bricks followed a standardised 4:2:1 length-width-height ratio, held consistently across widely separated sites – strong evidence of shared building standards across the civilization.

Related topics: Political Organisation of the Indus Valley Civilization

Q15. Which three of Patanjalis eight limbs are sometimes grouped together as Samyama, treated as one connected, progressively deepening sequence?

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Answer: A

Dharana (concentration), Dhyana (meditation), and Samadhi (absorption), the final three limbs, are grouped together as Samyama – a connected, progressively deepening sequence rather than three separate practices.

Related topics: Patanjali’s Yoga Sutras and the Eight Limbs

Q16. Which Jewish community in India arrived much later than the others, mainly in the 18th and 19th centuries, settling as merchants in Calcutta and Bombay?

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Answer: A

Baghdadi Jews arrived in India much later than the Cochin Jews and Bene Israel, mainly in the 18th and 19th centuries, settling as merchants chiefly in Calcutta and Bombay – families like the Sassoons built major trading and philanthropic institutions there.

Related topics: Judaism in India: Cochin Jews, Bene Israel, and Baghdadi Jews

Q17. Which concept, meaning unity of being, gave Sufi philosophy in India a foundation for tolerance across religious lines?

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Answer: A

Wahdat-ul-Wujud, unity of being, holds that all existence is one with the divine at its deepest level. This gave Sufism a philosophical basis for tolerance and syncretism with devotional Hindu traditions.

Related topics: Sufism in India: Orders, Saints, and Devotional Music

Q18. Which statement describes Nandalal Bose at Kala-Bhavana?

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Answer: B

West Bengal Tourism records Bose as Kala-Bhavana principal for about three decades (1922–1951 there; other sources say from 1921).

Related topics: The Bengal School of Painting: Institutions Behind the Movement

Q19. British colonial authorities restricted or banned the public singing of certain nationalist songs during the freedom struggle. What does this show?

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Answer: A

The colonial government treated patriotic songs as a genuine political threat, not mere cultural expression, because of their power to mobilise and unite crowds at nationalist gatherings.

Related topics: Patriotic Songs and Poetry of the Freedom Struggle

Q20. A 14th-century painted illustration of Firoz Shah Tughlaqs men moving the Ashoka pillar from Topra to Delhi is found in which chronicle?

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Answer: B

The Sirat-i-Firuz Shahi, a chronicle of Firoz Shah Tughlaqs reign, includes a painted illustration of the pillar being moved on a 42-wheeled carriage, wrapped in raw hides and hauled by thousands of men.

Related topics: Mauryan Art and Architecture: Pillars, Palaces, and Sculpture

Q21. In many later Dravida temple complexes, which feature grew so large it eventually overshadowed the central shrine tower itself?

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Answer: C

Over time in Dravida architecture, gopurams grew very large. Visitors approaching a temple often see the gateway tower long before the smaller original shrine tower inside, a reversal of the temples original visual hierarchy.

Related topics: Nagara and Dravida: The Two Great Temple Architecture Traditions

Q22. Mani Ratnams crossover style, combining serious political themes with polished mainstream production, is best described as what?

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Answer: C

Ratnams style offered a distinct third path: serious social and political themes delivered through mainstream, musically-driven production values, different from both Rays austere realism and Bollywoods purely commercial format.

Related topics: Mani Ratnam and the Commercial-Arthouse Crossover

Q23. Roja won which award at the 40th National Film Awards?

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Answer: B

Roja won the Nargis Dutt Award for Best Feature Film on National Integration. Mani Ratnam received a Rajat Kamal as director.

Related topics: Mani Ratnam and the Commercial-Arthouse Crossover

Q24. Which film is Mani Ratnam’s debut as director?

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Answer: C

Pallavi Anu Pallavi (1983) was made in Kannada and was Ratnam’s first film as director.

Related topics: Mani Ratnam and the Commercial-Arthouse Crossover

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