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Art and Culture Mixed Practice — MCQs with Answers (Set 26)

A mixed set of 25 Art and Culture MCQs on smaller topics that have no set of their own. Each answer links to its topic Article.

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Q1. Lucknow Zardozi received its Geographical Indication (GI) tag in which year?

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Answer: A

Lucknow Zardozi was registered with a GI tag in 2013, formally protecting the craft’s regional identity.

Related topics: Zardozi: Gold-Thread Embroidery of the Mughal Courts

Q2. Zardozi found renewed patronage and became centred in which city, under the patronage of its Nawabs?

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Answer: D

The Nawabs of Lucknow revived Zardozi’s patronage, making Lucknow the craft’s main centre in India.

Related topics: Zardozi: Gold-Thread Embroidery of the Mughal Courts

Q3. Zardozi went into decline after which Mughal emperor withdrew imperial patronage for the craft?

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Answer: B

Aurangzeb ended imperial support for Zardozi during his reign, leading to a real decline in the craft.

Related topics: Zardozi: Gold-Thread Embroidery of the Mughal Courts

Q4. The Bankura Horse, a terracotta craft object made mainly in Panchmura village, became the official symbol of which national body in 1952?

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Answer: D

The Bankura Horse became the crest-motif of the All India Handicrafts Board in 1952, symbolising Indian rural handicrafts nationally.

Related topics: Bengal Terracotta: Bishnupur’s Temples and the Bankura Horse

Q5. The Rasmancha, a large terracotta platform in Bishnupur built by King Raghunath Singh, dates to which year?

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Answer: C

The Rasmancha, a major terracotta structure in Bishnupur, was built by King Raghunath Singh in 1650.

Related topics: Bengal Terracotta: Bishnupur’s Temples and the Bankura Horse

Q6. Bengal’s builders turned to fired clay brick (terracotta) for temple construction mainly because of what regional constraint?

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Answer: A

Stone was scarce in Bengal, so builders turned to fired clay brick, giving rise to the region’s terracotta temple tradition.

Related topics: Bengal Terracotta: Bishnupur’s Temples and the Bankura Horse

Q7. Bishnupur’s terracotta temples, built mainly in the 17th and 18th centuries, were commissioned by kings of which dynasty?

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Answer: B

Malla dynasty kings built most of Bishnupur’s terracotta temples during the 17th and 18th centuries.

Related topics: Bengal Terracotta: Bishnupur’s Temples and the Bankura Horse

Q8. Nirmal Paintings received their Geographical Indication (GI) tag in which year?

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Answer: C

Nirmal Paintings were registered with a GI tag in 2008 (certificate dated 9 September 2008), applied for by the Andhra Pradesh Handicrafts Development Corporation.

Related topics: Nirmal Painting: Telangana’s Gold-Flecked Wood Art

Q9. Legend credits which display with winning the Nizam of Hyderabad’s patronage for Nirmal artisans?

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Answer: A

Legend says a banana bud, suspended over the Nizam’s seat, unfurled with golden petals, impressing him into patronising the craft.

Related topics: Nirmal Painting: Telangana’s Gold-Flecked Wood Art

Q10. Nirmal painting, a gold-flecked art form from Telangana, is painted on lacquered boards made from which wood?

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Answer: D

Nirmal paintings use teak wood as the base, coated in lacquer before the gold-flecked design is applied.

Related topics: Nirmal Painting: Telangana’s Gold-Flecked Wood Art

Q11. In 1782-83, which Maratha queen built a new Somnath shrine beside the ruins, since the original site remained inaccessible?

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Answer: A

Ahilyabai Holkar built a new Somnath shrine in 1782-83, adjacent to the ruins of the original temple.

Related topics: Somnath Temple: A Thousand Years of Destruction and Rebuilding

Q12. Mahmud of Ghazni’s famous raid on Somnath Temple, its most infamous destruction, took place in which period?

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Answer: B

Mahmud of Ghazni destroyed Somnath Temple in 1025-26 CE, after defeating its defenders and plundering its wealth.

Related topics: Somnath Temple: A Thousand Years of Destruction and Rebuilding

Q13. Ali Akbar Khan, the sarod’s best-known player, belonged to which gharana (musical lineage), founded by his own father?

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Answer: C

Ali Akbar Khan belonged to the Maihar gharana, founded by his father Allauddin Khan. The Imdadkhani gharana is a separate lineage, associated with the sitar.

Related topics: Sarod

Q14. Ali Akbar Khan received the Padma Vibhushan in 1989, and in 1991 became the first Indian musician to win which US honour?

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Answer: B

Ali Akbar Khan won the MacArthur Fellowship in 1991, the first Indian musician to receive it. He separately won the National Heritage Fellowship in 1997.

Related topics: Sarod

Q15. In 1955, which violinist invited Ali Akbar Khan to New York for a landmark US debut that produced the first-ever Indian classical album released in the West?

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Answer: D

Yehudi Menuhin invited Ali Akbar Khan to New York in 1955, where his debut album became the first Indian classical LP released in the West.

Related topics: Sarod

Q16. Which musician redesigned the sarod with a larger teak body and an expanded set of sympathetic strings, and trained his son Ali Akbar Khan on it?

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Answer: A

Ustad Allauddin Khan redesigned the sarod and trained his son, Ali Akbar Khan, on the instrument from childhood.

Related topics: Sarod

Q17. The sarod, a fretless plucked string instrument central to Hindustani classical music, evolved from which Afghan/Central Asian instrument?

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Answer: C

The sarod descends from the Afghan rabab, adapted for Hindustani music from the 18th century onward.

Related topics: Sarod

Q18. At which Mughal emperor’s court was Sidhar Khan Dhadi active, and in which century?

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Answer: D

Sidhar Khan Dhadi was active at the court of Mughal emperor Muhammad Shah in the early 18th century.

Related topics: Tabla

Q19. Who is tabla’s earliest documented player, credited with founding its oldest school, the Delhi gharana?

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Answer: B

Sidhar Khan Dhadi is tabla’s earliest documented player, and founded its oldest school, the Delhi gharana. (Amir Khusrau’s invention is a popular but scholarly-rejected legend.)

Related topics: Tabla

Q20. What are the names of tabla’s two drums?

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Answer: A

Tabla’s two drums are the dayan (smaller, right hand) and the bayan (bass, left hand).

Related topics: Tabla

Q21. The shehnai’s Southern Indian cousin, which plays a similarly auspicious ceremonial role in Carnatic music, is called what?

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Answer: A

The nagaswaram is the shehnai’s Southern Indian cousin, playing a similar auspicious role in Carnatic music.

Related topics: Shehnai

Q22. In 2001, Bismillah Khan became only the third classical musician to receive the Bharat Ratna. Who were the first two?

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Answer: A

M.S. Subbulakshmi and Ravi Shankar were the first two classical musicians to receive the Bharat Ratna, before Bismillah Khan in 2001.

Related topics: Shehnai

Q23. On which historic date did Bismillah Khan play the shehnai at the Red Fort, just before Nehru’s ‘Tryst with Destiny’ speech?

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Answer: B

Bismillah Khan played at the Red Fort on 15 August 1947, India’s first Independence Day.

Related topics: Shehnai

Q24. Sattriya dance-dramas, based on the Bhagavata Purana and performed inside monasteries, are known by what name?

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Answer: B

These dance-dramas, based on the Bhagavata Purana, are known as Ankiya Naat, developed under Sankardev’s guidance.

Related topics: Sattriya: The Monastery Dance of Assam

Q25. Sattriya was founded in the 15th century by which saint-reformer?

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Answer: C

Sattriya was founded by the saint-reformer Srimanta Sankardev, as part of the Bhakti movement in 15th-century Assam.

Related topics: Sattriya: The Monastery Dance of Assam

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